Archive for the ‘Curator’ Category
Curator of Education Ann Grimaldi and volunteer docent Kate Barrett lead a discussion with UNCG Teacher Education majors in Kinesiology on the “Art of Observation.” Dr. Barrett, retired UNCG professor emerita in Kinesiology (formerly Exercise and Sport Science), and Grimaldi created the program three years ago to aid students in academic areas where observation is crucial such as in gymnasiums and playing fields.
Using works of art on view at the Weatherspoon Art Museum, students practice an awareness of their observation habits through processes like scanning, detail recognition, organization and analysis of visual data. Knowing “how to look” and “what to look for” is an essential step in understanding what we see and for physical education teacher education students, it can be critical in assessing students’ motor skill development. Over 160 UNCG students have participated in the program to date, which has been expanded to psychiatric nursing and dietetic nutrition areas.
(Photo above shot in the permanent collection exhibition On the Path to Abstraction: Highlights of the Permanent Collection)
If you visited the Weatherspoon this Fall, you probably witnessed the tell-tale signs of roof repairs, scaffolding and noise. As excited as we were for our twenty-three year old building to get a new roof, we knew we would need to be extra vigilant about protecting works of art in the Sculpture Garden, especially Dan Graham’s Triangular Solid with Circular Inserts. Graham’s glass and mirror sculpture was purchased by the museum for its permanent collection in 2006 and is a favorite with school groups.
Protecting the sculpture required the construction of a special on-site crate consisting of particle board and strengthened by 2x4s that were bolted directly into the courtyard surface. With roof repairs taking longer to complete than planned, WAM staff thought it would be a good opportunity to work with UNCG design students to dress up the temporary wooden cube and give visitors something to experience (rather than weathered particle board) when entering the Sculpture Garden. We approached UNCG faculty Christopher Thomas and Lee Walton about a design competition with participants from their Design 1 and Art 140 classes.
Christopher Thomas adds:
“Responding to a call for proposals from the Weatherspoon to ‘make use’ of the plywood box currently in place over the Dan Graham sculpture protecting it from construction debris, Design I students from my class and Lee Walton’s wrote in. (Cambrin Culp, Lydia Flores, Tiffany Hutchens, Shannon Keller, Lily Musai and CJ Toomer are from my class).
WAM Curator of Collections, Elaine Gustafson, provided us with information on the artist and his work so that students could better understand what his sculptures were about…the idea was to make images in response to the themes in Dan Graham’s work while exploring some basic Design I value and shape problems. So, issues of fragmentation, social disconnect, reflection and environment were some of the departure points for the students’ designs.
Final installation was done using ink jet prints and wheat paste on a gorgeous Fall Friday followed by ham and bean soup in the museum courtyard!”
Students participants from Lee Walton’s Art 140 class: Jenny Bennett, Miguel Cervera, Janelle DeRobertis, Chandler Field, Dray Fountain, and Logan Ritchey.
Visit the museum’s Event Photo page for more images.
Roof construction is finally winding down as work completes after Thanksgiving break. The final detail to complete is the re-installation of the speakers for the Bill Fontana sound work “Spiraling Sound Axis“—which is also a part of the museum’s Sculpture Garden experience. Fontana’s work had to be de-installed during construction. As soon as the Fontana speakers are re-installed our preparators will be able to remove the plywood protection from the Graham sculpture. Visitors will once again be able to enjoy both the Graham sculpture and listen to the Fontana sound installation.
Thank you to the Design 1 and Art 140 students for all their work on this project.
Stieg Larsson’s investigative journalist Mikael Blomkvist definitely has talents I don’t possess. For the last two weeks I have been trying intermittently to determine who drew this portrait. It came to us as part of the Etta and Claribel Cone collection in 1950 and has been attributed to Mersyes based on the inscription. Unfortunately no such artist exists. Is the inscription a signature or a title? The drawing is in the style of Jacques Villon, whose work the Cones collected and the Weatherspoon owns, but he typically signed his work. Likewise the inscription is not in the style of Jean Metzinger, a fellow cubist. The drawing is adhered to a mat that has the words “Safsa (Trinini)” inscribed on it (by whom?) as well as the date 1926. The face looks Algerian or Moroccan and I’ve learned that there is a place in Algeria called Safsaf, but what does Trinini mean? The only other clue is the word Tefúgahe (?) inscribed in pencil on the drawing’s upper right corner. I’m not giving up yet, but I hope some Lisbeth Salander will read this post and provide some much needed help.
This was a good week for art sleuths out there, and thus for WAM. While visiting the Museum for another project, paper conservator Jane Sugarman looked at the mystery drawing and figured out that the inscription did not read “Trinini,” but rather the country Tunisia. From that, I was able to decipher part of the upper right inscription to read “Gafsa.” The town of Gafsa, also spelled Qafsah, has been around since Roman times when it was known as Capsa.
The next day, I got a post from the Ackland Art Museum’s Chief Curator, Peter Nisbet, who identified the signature as “Medgyes.” Better known as a furniture and stage designer than as an artist, Ladislas Medgyes was born in Hungary but worked in New York from the 1920s until his death sometime in the late 1940s.
Many, many thanks to both Jane and Peter for helping identify this wonderful drawing and for confirming that a career in the visual arts is never dull.
The Weatherspoon recently received grants from two of our city’s longstanding philanthropic leaders:
The Cemala Foundation and Tannenbaum-Sternberger Foundation. Inc. Both of these groups are mainstays in supporting nonprofit organizations in our community. One can only guess the scope—and effect—of their countless contributions over the years.
In the Weatherspoon’s case, their gifts are helping to address the sizable budget reductions we’ve experienced this year. The Cemala Foundation’s gift will help support the crucial staff position of Associate Curator of Education and some of her programs. Terri Dowell-Dennis works with the Guilford County Schools, conducts teacher workshops, organizes our biannual Community Days, offers tours to school and community groups, and dozens of other things to keep our education program vibrant and meaningful.
Tannenbaum-Sternberger has offered a challenge grant to support our lively exhibition and program schedule. For every 2 dollars that we raise, they will provide 1 dollar, up to $20,000.
You can help us meet our match by contributing online or by calling 336-334-5770
We’re truly grateful to both foundations.